I again used Ipswich Marina to test project onto different surfaces. Four warped Ply boards provided the best canvas on which to view there work, the slight variation in which each board had flexed over time created abrupt Lucio Fontana like slashes in the picture plain, I liked how these definite edges contrasted with the 'painterly' marks. The slight warping also meant that the image slightly 'jarred', each mark which crossed a divide was disrupted due to its relative distance from the projector.
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