Bibliography
Groom, A (2013) Time. London, Whitechapel Gallery
Morley, S (2010) The Sublime. London, Whitechapel Gallery
Ed - David Curtis, A.L Rees, Duncan White, Steven Ball (2011) Expanded Cinema: Art Performace Film, Tate Publishing
Giles Deleuze (1989) Cinema 2, Continuum
Giles Deleuze (1986) Cinema 1, Continuum
Giles Deleuze (2003)The Logic of Sensation, Continuum
Sigmund Freud translated by David McLintock (1998) The Uncanny, Penguin
Ed JJeffrey Kastner (2012) Nature, Whitechapel Gallery
Brian Massumi (2002) Parables for the Virtual: Movement, Affect, Sensation, Duke University press
Janine Marchessault, Susan Lord (2008) Fluid Screens, Expanded Cinema, University of Toronto Press
Henri Bergson (2010) Matter and Memory, Digireads.com Publishing
Yvette Biro (2008) Turbulence and flow in film, Indiana University Press
Tamara Trodd (2014) Screen/Space: The projected image in contemporary art, Manchester University Press
David Maclagan (2001) Psychological Aesthetics: Painting, feeling and Making Sense, Jessica Kingsley Publishers
Andre Bazin (1967) What is cinema? Volume 1, University of California Press
Andre Bazin (1971) What is cinema? Volume 2, University of California Press
Frederick Copleston (2003) A History of Philosophy: 19th and 20th century french philosophy, Continuum
Ferris P. and Moore, J. (1990) Art from South Africa, Thames and Hudson
Sianne Ngaio (2007) Ugly things, Harvard University Press
Sean Cubitt, Daniel Palmer and Nathaniel Tkacz (2015) Digital Light, Open Humanities Press
Claire Bishop (2005) But is it installation art? - Tate Etc. issue 3: Spring 2005
Melinda Barlow (2003) Review of: Touch Sensuous Theory and Multisensory Media', Canadian Journal of Film Studies, University of Minnesota Press
Freud (2004) Civilization and its Discontents, Penguin
Sartre (2005) Being and Nothingness - Washington Square Press
Newman, B. (1948) The Sublime Is Now. In: Harrison, C. and Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers
Robert Macfarlane (2016) Eeriness: Tracing an Unquiet Tradition in British Landscape Art, Tate Etc. issue 36: Spring 2016
Laura U. Marks (2004) Touch: Sensuous Theory and Multisensory Media, University of Minnesota Press
Robert Adams (1981) 'Truth in Landscape' from Beauty in Photography, Aperture, Millerton
Vivian Sobchack (1991) 'The Address of the Eye: A Phenomenology of Film Experience, Princeton University Press
Laura U. Marks (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Duke University Press
Eckart Ehlers, Thomas Kraft (2006) Earth System Science in the Anthropocene: Emerging Issues and Problems, Springer
Robert Macfarlane (2015) Landmarks, Penguin
Naomi Klein (2014) This Changes Everything: Capitalism vs the Climate, Simon and Schuster
Giles Deleuze (1986) Cinema 1, Continuum
Giles Deleuze (2003)The Logic of Sensation, Continuum
Sigmund Freud translated by David McLintock (1998) The Uncanny, Penguin
Ed JJeffrey Kastner (2012) Nature, Whitechapel Gallery
Brian Massumi (2002) Parables for the Virtual: Movement, Affect, Sensation, Duke University press
Janine Marchessault, Susan Lord (2008) Fluid Screens, Expanded Cinema, University of Toronto Press
Henri Bergson (2010) Matter and Memory, Digireads.com Publishing
Yvette Biro (2008) Turbulence and flow in film, Indiana University Press
Tamara Trodd (2014) Screen/Space: The projected image in contemporary art, Manchester University Press
David Maclagan (2001) Psychological Aesthetics: Painting, feeling and Making Sense, Jessica Kingsley Publishers
Andre Bazin (1967) What is cinema? Volume 1, University of California Press
Andre Bazin (1971) What is cinema? Volume 2, University of California Press
Frederick Copleston (2003) A History of Philosophy: 19th and 20th century french philosophy, Continuum
Ferris P. and Moore, J. (1990) Art from South Africa, Thames and Hudson
Sianne Ngaio (2007) Ugly things, Harvard University Press
Sean Cubitt, Daniel Palmer and Nathaniel Tkacz (2015) Digital Light, Open Humanities Press
Claire Bishop (2005) But is it installation art? - Tate Etc. issue 3: Spring 2005
Melinda Barlow (2003) Review of: Touch Sensuous Theory and Multisensory Media', Canadian Journal of Film Studies, University of Minnesota Press
Freud (2004) Civilization and its Discontents, Penguin
Sartre (2005) Being and Nothingness - Washington Square Press
Newman, B. (1948) The Sublime Is Now. In: Harrison, C. and Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers
Robert Macfarlane (2016) Eeriness: Tracing an Unquiet Tradition in British Landscape Art, Tate Etc. issue 36: Spring 2016
Laura U. Marks (2004) Touch: Sensuous Theory and Multisensory Media, University of Minnesota Press
Robert Adams (1981) 'Truth in Landscape' from Beauty in Photography, Aperture, Millerton
Vivian Sobchack (1991) 'The Address of the Eye: A Phenomenology of Film Experience, Princeton University Press
Laura U. Marks (2000) The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses, Duke University Press
Eckart Ehlers, Thomas Kraft (2006) Earth System Science in the Anthropocene: Emerging Issues and Problems, Springer
Robert Macfarlane (2015) Landmarks, Penguin
Naomi Klein (2014) This Changes Everything: Capitalism vs the Climate, Simon and Schuster
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