It will include authors of key texts, along with artists who are in some way concerned with related ideas and processes.
This is not a 'finished' post and I will return to update it as as my work develops throughout this investigation.
Texts:
Aldrich, M. & Hackforth-Jones, J. (2012) Art & Authenticity. Surrey: Lund Humphries.
Ashfield, A & de Bolla, P. (2000) The Sublime: a reader in British eighteenth-century aesthetic theory. Cambridge: University Press.
Baudrillard, J. (1983) Simulations. Massachusetts: MIT Press.
Beckley, B. (2001) The Sticky Sublime. New York: Allworth Press.
Bell, J. (2013) ‘Contemporary Art and the Sublime’. In Llewellyn, N. & Riding, C. (eds.), The Art of the Sublime, https://www.tate.org.uk/art/research-publications/the-sublime/julien-bell-contemporary-art-and-the-sublime-r1108499, accessed January 2015.
Benjamin, W (2008) The Work Of Art In The Age Of Mechanical Reproduction. London: Penguin books.
Brown, L. & Williams A. (eds.) (2000) Cassell’s English Dictonary. London: Cassell & Co.
Crowther, P. (1996) Critical Aesthetics and Postmodernism. Oxford: Clarendon Press.
Elkins, J. (1999) What Painting Is. New York: Routledge.
Gilbert-Rolfe, J. (1999) Beauty and the Contemporary Sublime. In: Morley, S. (ed.) The Sublime, Documents of Contemporary Art.
London: Whitechapel Gallery, pp.136-141.
Greenberg, C. (1961) Art & Culture. Boston: Beacon Press.
Hofmann, H. (1932) On The Aims of Art. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers, pp.354-357.
Jameson, F. (1991) Postmodernism, or, The Cultural Logic of Late Capitalism. In: Morley, S. (ed.) The Sublime, Documents of
Contemporary Art. London: Whitechapel Gallery, pp.141-146.
Lyotard, J,R. (1982) Presenting the Unpresentable: The Sublime. In: Morley, S. (ed.) The Sublime, Documents of Contemporary Art.
London: Whitechapel Gallery, pp.130-136.
Maclagan, D. (2001) Psychological Aesthetics: Painting, Feeling and Making Sense. London: Jessica Kingsley Publishers.
Morley, S. (2010) The Sublime, Documents of Contemporary Art. London: Whitechapel Gallery.
Newman, B. (1948) The Sublime Is Now. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell
Publishers, pp.572-574.
Pollock, J. (1950) Interview with William Wright. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers, pp.574-578.
Shaw, P. (2006) The Sublime. New York: Routledge.
Nicolas Bourriaud - Relational Aesthetics
Artists:
Fabian Marcaccio
Bernard frize
Katherina Grosse
Julie Mehretu
Ian Mckeever
Matisse
Gerhard Ricter
Ian Davenport
Mark Rothko
Barnett Newman
Meghana Bisineer
Sam Francis
Cy Twombly
Mark Tobey
Brian Eno
James Turrell
John Hoyland
Patrick Heron
Ryoji Ikeda Ikeda
Janet Echelman
Yayoi Kusama
Anish Kapoor
Robert Ryman
Olafur Eliasson
Lorenz Potthatt http://www.lorenzpotthast.de/dream-bubble-machine/
Carlos Cruz-Diez
Anthony Mccall
Willian Kentridge
Dan Flavin
Ann Veronica Jassens
David Batchlor
Aldrich, M. & Hackforth-Jones, J. (2012) Art & Authenticity. Surrey: Lund Humphries.
Ashfield, A & de Bolla, P. (2000) The Sublime: a reader in British eighteenth-century aesthetic theory. Cambridge: University Press.
Baudrillard, J. (1983) Simulations. Massachusetts: MIT Press.
Beckley, B. (2001) The Sticky Sublime. New York: Allworth Press.
Bell, J. (2013) ‘Contemporary Art and the Sublime’. In Llewellyn, N. & Riding, C. (eds.), The Art of the Sublime, https://www.tate.org.uk/art/research-publications/the-sublime/julien-bell-contemporary-art-and-the-sublime-r1108499, accessed January 2015.
Benjamin, W (2008) The Work Of Art In The Age Of Mechanical Reproduction. London: Penguin books.
Brown, L. & Williams A. (eds.) (2000) Cassell’s English Dictonary. London: Cassell & Co.
Crowther, P. (1996) Critical Aesthetics and Postmodernism. Oxford: Clarendon Press.
Elkins, J. (1999) What Painting Is. New York: Routledge.
Gilbert-Rolfe, J. (1999) Beauty and the Contemporary Sublime. In: Morley, S. (ed.) The Sublime, Documents of Contemporary Art.
London: Whitechapel Gallery, pp.136-141.
Greenberg, C. (1961) Art & Culture. Boston: Beacon Press.
Hofmann, H. (1932) On The Aims of Art. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers, pp.354-357.
Jameson, F. (1991) Postmodernism, or, The Cultural Logic of Late Capitalism. In: Morley, S. (ed.) The Sublime, Documents of
Contemporary Art. London: Whitechapel Gallery, pp.141-146.
Lyotard, J,R. (1982) Presenting the Unpresentable: The Sublime. In: Morley, S. (ed.) The Sublime, Documents of Contemporary Art.
London: Whitechapel Gallery, pp.130-136.
Maclagan, D. (2001) Psychological Aesthetics: Painting, Feeling and Making Sense. London: Jessica Kingsley Publishers.
Morley, S. (2010) The Sublime, Documents of Contemporary Art. London: Whitechapel Gallery.
Newman, B. (1948) The Sublime Is Now. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell
Publishers, pp.572-574.
Pollock, J. (1950) Interview with William Wright. In: Harrison, C. & Wood, P. (eds.) Art In Theory 1900–1990. Oxford: Blackwell Publishers, pp.574-578.
Shaw, P. (2006) The Sublime. New York: Routledge.
Nicolas Bourriaud - Relational Aesthetics
Artists:
Fabian Marcaccio
Bernard frize
Katherina Grosse
Julie Mehretu
Ian Mckeever
Matisse
Gerhard Ricter
Ian Davenport
Mark Rothko
Barnett Newman
Meghana Bisineer
Sam Francis
Cy Twombly
Mark Tobey
Brian Eno
James Turrell
John Hoyland
Patrick Heron
Ryoji Ikeda Ikeda
Janet Echelman
Yayoi Kusama
Anish Kapoor
Robert Ryman
Olafur Eliasson
Lorenz Potthatt http://www.lorenzpotthast.de/dream-bubble-machine/
Carlos Cruz-Diez
Anthony Mccall
Willian Kentridge
Dan Flavin
Ann Veronica Jassens
David Batchlor
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